Roni Size pulling it back to the early days of Bristol - foundation breaks and soundsystem memories As Remarc prepares to bring Dollar records back inwe look at the label's golden age of '' Spanning acid techno, dark hardcore and proto jungle, we look at Alex Reece's greatest pre-Pulp Fiction work.
To say that Roni Size changed the sound of the UK is no overstatement. Few people can claim to have captured the sound and spirit of a time quite as definitively as the wiry Bristolian did at the end of the nineties. With his peers the white heat of hardcore rave was given roots with the infusion of breakbeat and chest-pounding bass.
Destiny — Side Effect. Twister — Mental Power Purple Vinyl. Remixs II — Various.
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As far back as he can remember, the boy originally known as Ryan Williams was absorbing diverse sounds, by virtue of being the youngest kid in a busy and very musical household. Thankfully, though, that same youthclub where he and his friends threw parties, together with his social worker, gave him support in building the beginnings of a studio, which eventually became the Basement Project: a Bristol institution for many years thereafter, which Reprazent would go on to donate their Mercury Prize money to. Before he knew it, still in his teens and without consideration of any career path, Roni had become a youth worker and music teacher in his own right.
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A Mercury Prize soon followed, which not only saw their music reaching wider audiences, but also lead to collaborations across genres with artists including Method Man, Zach La Rocha and Jocelyn Brown. To take on the world of the drum and bass pioneer is Ishmael Ensemble founder, and fellow Bristolian, Pete Cunningham. Listen to the mix, and find out why Cunningham selected Roni Size below.